Journey Student Literary Magazine
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Journey 2008 |
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Cover Photo by Serena Beam Cover Design by Sharon Looney |
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Serena Beam Portrait—Fountain Run, Kentucky You, Poet
Rachel Bohnert The Mirror The Way You Walk
Janet Cannon He Sees You When You're Sleeping
Nicholas Cato Relationship The Economics of December Break-Ups
Elizabeth Correnti Majesty
Karina Dewing Schizophrenia 20 Cine
Rachel N. Fayyad Smoke in the Window
Marcia Herring Lusk, WY 60 Seconds
Michale Johnson The Age of Pop Culture Summer in Springs
Brenna Kiser i forget her look but not her voice weekend in St. Louis
Carrie Leadbetter Tuesday
Sharon Looney Coral Woman Looking Left Who's Making Waves Momma Said Never Talk to Strangers Ornamental Entry
Ben Marxer Maybe she'd like me better if I were a Serial Killer Ice Water Hours Love Poem #00000000000 Listening to: Sounds of the Apocalypse / Current Mood: Pensive Katie's Legs |
Bob McCollum Don't Drink a Bottle of NyQuil in the Woods on a Holy Day in the Name of Jesus and Expect Not to Wind Up in a Church Idiot Parade Henry Rollins Meets Henry David Thoreau
Jessica Muckerman The Day Led to This The Illogical Fear of Babies
Kelli L.W. Nicholson Church Bird Calls Back Cicada Summer Scenes of Adolescence
Stacy Orris Majestic Beneath the City
Nicole Peats Read This Then Ask Me Again: Why do you prefer to read fiction written for children and young adults? Heartbeat: Or Some Conversational Reflections on Winter
Anna Powell The Joker
Dianne Katherine Reyes Beyond Innocence
Josh Schwartz Nothing Green Can Stay You Can't Spell Slaughter without Laughter
Lisa Schnurbusch My Hollywood Ending
Karissa Scott Break Up
Caleb Tankersley Teach Me Your Ways, O Lord The Tree Spider The Woodsman
Jennifer Weiss The Doctrine of Aunt Odie An Aerobic Battle
Kristina Yesley Plebeian Art Exchange Smoke Signals Pressing Leaves |
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2007 Sigma Tau Delta Contest Winners:
Lorna Ferguson An Unspoken Bond
Karissa Scott Sophisticated Lady
Jessi Glueck Ghosts that Go Bump in the Night: A Comparison / Contrast of Charlotte Perkins Gilman's "The Yellow Wallpaper" and Edwin Arlington Robinson's "Luke Havergal"
Katie Carson Atwood's Drunken Postmodern-Day Moses: The Function of the Narrative in Oryx and Crake
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